FILM SCORING MECCA | Score preparation icon Jill Streater – Part 2
Welcome to FILM SCORING MECCA – a series tailored and curated by composer Adriano Aponte for FST. Presenting amazing and
Read MoreWelcome to FILM SCORING MECCA – a series tailored and curated by composer Adriano Aponte for FST. Presenting amazing and
Read MoreWelcome to FILM SCORING MECCA – a series tailored and curated by composer Adriano Aponte for FST. Presenting amazing and
Read MoreAfter learning more about the cello from the one and only Tina Guo, we are ready to talk about another
Read MoreDear readers, I am super excited to share this one with you! This marks the first entry on a new
Read MoreWelcome to chapter 4 of this series on the best online groups and forums for film music professionals. Today we
Read MoreWelcome to a new series of articles exploring the expanding world of online spaces where composers can interact and share
Read MoreAs the technology evolved, the film editor’s job expanded. We are now also responsible for creating credit sequences, compositing visual
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