Modular Synthesis for the Film Composer – Part 1
In this series we’ll go on a journey to explore the wonderful world of modular synthesis.
Let’s get started busting some myths commonly associated with modular synthesizers:
Myth 1: You can’t get into modular without spending lots of money.
There’s no doubt, modular synths are an expensive hobby to get into, however.. you will be surprised how many manufacturers are putting out cheaper series with modules under $100. And with eurorack becoming more popular every day and with larger companies getting into the market, getting started is cheaper than it has ever been.
Myth 2: You can’t get started with just one module.
While the real fun certainly starts putting modules together, there are quite a few fully fledged,self-contained semi modular synths as well as other options, some of them particularly good for film composers.
Myth 3: Modular synthesis is complicated.
By definition, modular synthesizers are only as complicated as you want them to be. And learning them will provide you with a unique set of skills and a new knowledge of signal routing and sound processing.
Myth 4: Modular synths are impossible to integrate in a film scoring workflow
While there is some truth in this, sampling is the solution. And we’ll show you how to do that step by step in this series.
Myth 5: Modular synths are a waste of time
While it’s easy to get lost playing a modular synth, this isn’t necessarily a bad thing: it will develop your creativity and artistry.
It is your responsibility as an artist to make sure every investment of time is geared towards your personal growth.
Don’t miss part 2 of this series!
