How to optimise your deliverables and help your orchestrator help you
Often, when working with a composer (especially one who hasn’t had much experience working in a studio environment with session
Read MoreOften, when working with a composer (especially one who hasn’t had much experience working in a studio environment with session
Read MoreIntroduction We live in a wonderful age where we can record musicians on the other side of the planet, opening
Read MoreHere’s another short clip in which I look at some frequently used terms that we all encounter in contracts and
Read MoreFollowing my previous article, where I gave you 5 tips for a better recording, here are my 6 tips for
Read MoreIn the previous entry of this series we explored ways to harness and crystallise our first ideas when reading a
Read MoreFollowing a lot of chat on social media about what constitutes adequate remuneration for composing original music, this short unscripted
Read MoreOne of the biggest struggles a composer meets when moving the first steps in this difficult but incredibly rewarding journey
Read MoreI used to be really scared about performing live in front of producers and people who were there to evaluate
Read MoreThe art of noise The modern film composers live in an era where not only they have to write great
Read MoreSomeone very wise once said “well begun is half done”. When sending the first batch of cues to a director this
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